Stereo MCs are a British rap group formed in 1985 in London, England. The group consists of Rob Birch (vocals), Nick "The Head" Hallam (turntables, production), Cath Coffey (backing vocals) and Ian "Owen If" Rossiter (drums). They are best known for their 1992 single "Connected" which was a major hit in the United Kingdom and the United States, as well as a crossover success on American alternative rock radio.
Rob B, the indomitable front man behind arguably the biggest selling hip hop group the UK has produced to date, is a man ready to let the music do the talking once again. Brit Awards (x2), Mercury Music Prize shortlists and world tours – all these are of little relevance to the Stereo MCs today, in 2005, on the cusp of releasing their opus to freedom and 5th studio album ‘Paradise’ on their brand new Graffiti Recordings imprint.
Rob Birch and Nick Hallam met in Nottingham in the mid-80s before relocating to London, forming the first incarnation of Stereo MCs and producing debut album ’33 45 78’ – a labour of love that involved hand-making drum loops in the most rudimentary of studios and crafting the blueprint for their sound. It was undoubtedly a raw record, but utterly original, drawing the attention of the likes of the Jungle Brothers who would soon feature in a star turn on the second album ‘Supernatural’, released in 1990.
By creating a very British take on a very American discipline, influenced as it was by the rising tide of acid house as much as Public Enemy and the early rap pioneers, Stereo MCs had created what no British group had managed before – credible Hip Hop from London able to appeal to the masses.
Touring their most successful album to date, 1992s chart smash ‘Connected’, with the likes of U2 and Happy Mondays cemented their position as musical icons of the 90s, and with sensational live shows, celebrated mix albums and increasingly high DJ profiles, it was not until 2001 that the band’s fourth LP ‘Deep Down and Dirty’ was released amidst a whirl of expectation.
“When that record came out in 2001 the whole feeling was very defensive, like any minute the door was going to swing open and ten people were waiting to pounce on us. The expectation was great, and it was hard not to be influenced by it. We were braced and tight, and didn’t find ourselves in a position to enjoy what we were doing.”
If there’s one thing that is certain about the Stereo MCs, they are a band very much influenced by their surroundings, in need of being comfortable within them and in control of them both on an immediate and wider scale.
Now, from the studio base affectionately referred to as their ‘front room’ (also coincidentally slap bang on Brixton’s frontline, just to give you a less congenial feel), Nick and Rob, writing again with a refreshed sense of creativity, have conjured yet another beautiful step in their continuing evolution as a band. Retaining their trademark throbbing bass bounce and injecting a healthy dose of soul, its unmistakably a Stereo MCs album but their liberation from the major label shackles has dusted the whole affair in a laid back optimism that was perhaps notable by its absence on Deep Down and Dirty.
The new record is all about challenging people’s preconceptions of the Stereo MCs, and the fact that they really don’t sound like any other band before or since their 1989 debut ‘33 45 78’ is counting in their favour. The opening track, Warhead, is an opening statement with an attitude that they are keen to convey, with immediately recognisable blend of bass, horns and keys, which sit in sharp contrast to Rob B’s laconic rhyming style. Unwittingly bordering on the very crux of Stereo MCs popularity, in the band’s own words it touches on a certain catchiness without becoming pop. It has an intent and walks a line which feels right for the band.
Rob B, the indomitable front man behind arguably the biggest selling hip hop group the UK has produced to date, is a man ready to let the music do the talking once again. Brit Awards (x2), Mercury Music Prize shortlists and world tours – all these are of little relevance to the Stereo MCs today, in 2005, on the cusp of releasing their opus to freedom and 5th studio album ‘Paradise’ on their brand new Graffiti Recordings imprint.
Rob Birch and Nick Hallam met in Nottingham in the mid-80s before relocating to London, forming the first incarnation of Stereo MCs and producing debut album ’33 45 78’ – a labour of love that involved hand-making drum loops in the most rudimentary of studios and crafting the blueprint for their sound. It was undoubtedly a raw record, but utterly original, drawing the attention of the likes of the Jungle Brothers who would soon feature in a star turn on the second album ‘Supernatural’, released in 1990.
By creating a very British take on a very American discipline, influenced as it was by the rising tide of acid house as much as Public Enemy and the early rap pioneers, Stereo MCs had created what no British group had managed before – credible Hip Hop from London able to appeal to the masses.
Touring their most successful album to date, 1992s chart smash ‘Connected’, with the likes of U2 and Happy Mondays cemented their position as musical icons of the 90s, and with sensational live shows, celebrated mix albums and increasingly high DJ profiles, it was not until 2001 that the band’s fourth LP ‘Deep Down and Dirty’ was released amidst a whirl of expectation.
“When that record came out in 2001 the whole feeling was very defensive, like any minute the door was going to swing open and ten people were waiting to pounce on us. The expectation was great, and it was hard not to be influenced by it. We were braced and tight, and didn’t find ourselves in a position to enjoy what we were doing.”
If there’s one thing that is certain about the Stereo MCs, they are a band very much influenced by their surroundings, in need of being comfortable within them and in control of them both on an immediate and wider scale.
Now, from the studio base affectionately referred to as their ‘front room’ (also coincidentally slap bang on Brixton’s frontline, just to give you a less congenial feel), Nick and Rob, writing again with a refreshed sense of creativity, have conjured yet another beautiful step in their continuing evolution as a band. Retaining their trademark throbbing bass bounce and injecting a healthy dose of soul, its unmistakably a Stereo MCs album but their liberation from the major label shackles has dusted the whole affair in a laid back optimism that was perhaps notable by its absence on Deep Down and Dirty.
The new record is all about challenging people’s preconceptions of the Stereo MCs, and the fact that they really don’t sound like any other band before or since their 1989 debut ‘33 45 78’ is counting in their favour. The opening track, Warhead, is an opening statement with an attitude that they are keen to convey, with immediately recognisable blend of bass, horns and keys, which sit in sharp contrast to Rob B’s laconic rhyming style. Unwittingly bordering on the very crux of Stereo MCs popularity, in the band’s own words it touches on a certain catchiness without becoming pop. It has an intent and walks a line which feels right for the band.
Dance Hip Hop Electronica Electronic Chillout
News
Past Events
- Shiiine On Weekender 2022
- Victorious Festival 2021
- Happy Days Festival 2021
- LeeStock 2021
- Victorious Festival 2020
- LeeStock 2020
- Happy Days Festival 2020
- Weekender Jersey 2019
- Tokyo World 2018
- Moovin Festival 2018
- BoomTown Fair 2018
- Camp Bestival 2018
- Cornbury Music Festival 2018
- Readipop Festival 2018
- Sounds of the City 2018
- Crystal Palace Overground Festival 2018
- Shindig Weekender 2018
- Shambala Festival 2017
- Weyfest 2017
- Beat-Herder 2017
- Rhythmtree 2017
- Valley Fest 2016
- The Big Feastival 2016
- Glastonbury Festival 2016
- Willowman Festival 2016
- Wychwood Music Festival 2016
- Shiiine On Weekender 2015
- Jersey Live 2015
- The Wickerman Festival 2015
- Bingley Music Live 2011
- Beautiful Days Festival 2011
- Relentless Boardmasters 2011
- Glastonbury Festival 2011